Film Review: Julie and Julia

William Wordsworth disciplined himself to sit down every day and write. His voluminous body of cherished and anthologized work stands as a testimony to that commitment. Dana Gioia, renowned American poet and current head of the National Endowment for the Arts, worked as vice president of General Foods for many years before he began to win awards for his poetry. He would come home each night exhausted, and, after the family was in bed, force himself to rewrite whatever last paragraph he had written the previous evening. This usually served to engender a second wind. He wrote this way for years, and eventually he won the American Book Award in 2001. His coworkers didn’t even know he was a writer. In her poetry guide, Mary Oliver, also emphasizes the importance of disciplined consistency in the artist’s life. She makes the point that the muse can, contrary to popular contention, be trained to show up more consistently, if the artist disciplines himself to make the same commitment.

And yet, the very idea of disciplined control of the the creative muse seems almost antithetical to many, if not most artists. I struggle as a musician and composer on a regular basis to finish the projects I start. I am always so enamored by the intoxicating embrace of a new creation. The high brought about by the infatuation is so much easier to chase after. With art, as with life, however, the real rewards of a relationship are only realized when one is willing to push past the pursuit of adolescent delirium and rise to the challenge of disciplined consistency.

Director Nora Ephron’s track record is such that I would never have imagined myself viewing any more of her films or writing about her work …ever. I love Amy Adams, Meryl Streep, Julia Child, and cooking, so I made an exception for Julie and Julia. I am exceedingly glad that I did. Julie and Julia does, unfortunately hold most of the conventions that one might expect from an Ephron film, but despite this fact, it is still a brilliant story that deals with important and inspiring ideas. It will easily be one of my top films of 2009. I am afraid that, because of its trappings, many of those ideas will be largely ignored. This is not a film review in the traditional sense. If you want one of those, just go to rottentomatoes.com and read yourself silly. I just want to address the reasons that this film resonated with me so profoundly.

Make no mistake, haute cuisine is truly an art form. Culinary art is too often disregarded as being such. This is, more than likely, due to its ephemeral nature. Nevertheless, the master chef has the ability to evoke experiences nearing the sublime on the palate. It has been proven that, the sense of smell and taste are closely linked to the memory processing centers of the brain. I believe that, because of this, many people remember the experience of a fantastic meal for decades longer than they might recall their impression of a song, a painting, a poem or even a book. Julie and Julia is about one woman’s passion for the art of cooking serving as a catalyst to inspire the art and creation of an entire country, and a new generation as well.

I heard a review of this film that claimed that the real meat of the film really was only in the biographical section telling Julia Child’s story. I must respectfully submit that these reviewers completely missed the larger purpose of this film. Julie Powell’s story represents the transformative power of the disciplined pursuit of excellence.

We see in Julie Powell a person who longs to be a writer, but who has only a half written novel and a strong lack of self-esteem. We see in Julia Child a woman passionate about food and determined to convey her enthusiasm to the world. Julia took the art of French cooking and made it her own. She combined her inexhaustible curiosity and a natural artistic ability and inspired a new era of cooking in the United Sates. Decades later her book serves as a catalyst to inspire Julie to discipline herself to pursue a difficult task. In doing so, she awakens the muse that had laid dormant in her for so long. Good art begets good art. This story should serve as an encouragement to every artist that passion is not always enough. Consistency and disciplined commitment are crucial to those that take their art seriously.

Julie and Julia is about the disciplined, consistent relationship between the artist and the muse. At the same time it is also about the rewards of a disciplined, consistent, and loving relationship between husband and wife. The film makes a point of showing the value of a loving marriage. The viewer sees, in both relationships, the beauty of a marriage that is willing to love, cherish, and support regardless of foibles and trials. The respective husbands play a pivotal role as loving supporters of Julie and Julia’s successes. We see both strong women, and strong men who choose to live in relationship with one another come what may. In a world that grows consistently more and more cynical regarding marriage, this is a refreshing perspective to see. Hollywood is always much more interested in finding out how the love story begins. Julie and Julia is a film that celebrates how the story continues in the face of both rewards and trials.

2 Comments

  1. Gardner says:

    Sounds awesome. I didn’t plan on seeing it, but you’ve swayed me :)

  2. Jim Allman says:

    I think my favorite part of the whole movie was its willingness to deal with disappointment and discouragement as necessary hurdles to the creative process. It’s not just hard work and consistency at that work, it is the willingness to endure through those dark hours. I heard once that most professions not only had exams or skills that were necessary to acquire through some regimen, but also some brick wall that is scalable only by the most dedicated. In some cases this might be a course in school like organic chemistry in pre-med, or in writing it is the scores of rejection letters. Perseverance. Not always fun, but somehow reassuring to note that EVERYONE is subject to its necessity and that as an artist I am not alone.

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Request for Help

You may be aware of our recent affiliation with InternationalArtsMovement (IAM).  IAM is a global community of artists and creative catalysts—people who take an active part in engaging with the arts and believe that the arts play a vital role in human flourishing. This community was founded over 20 years ago by painter, author & philosopher MakotoFujimura. We are excited about this affiliation.

In February 2012, IAM is holding a small, by-invitation-only gathering for catalysts in the “art/faith/humanity” spheres gathering throughout the world, and the Continuum has been invited to join this gathering. We have elected to send Kent Smith as our representative. For three (cold!) days, he and others will be gathering in IAM’s gallery in midtown Manhattan and meeting with the staff of International Arts Movement. This will be a vital time for us to build our relationships with one another in the movement, to learn more about the future of the movement, to contribute our input, ideas, experiences, and expertise to the shape of the movement, and to be more deeply equipped and resourced as we receive information on the programs and resources IAM produces.

IAM has raised funding for two nights of housing and three days of meals, but we have to cover Kent’s travel costs to NYC. I am writing to see if you would be willing to help underwrite the $500 in travel costs to attend this important gathering.

As IAM is a 501(c)3 non-profit arts organization, any donations made are tax-deductible. If you would like to support Kent & the Continuum’s participation, you may do it one of two ways:

  1. Mail a check made payable to International Arts Movement, 38 W. 39th St, 3rd FL, New York, NY 10018. Include a note that your gift is to be applied toward the “2012 IAM Catalysts Summit” and include Kent’s name (Kent Smith).
  2. Make an online donation. Click here and enter your donation amount under “General Donation.” Once you click “Add to Cart,” you will be able to leave a “note,” where you may designate “2012 IAM Catalysts Summit” and include Kent’s name.

IAM will reimburse Kent’s travel expenses based on donations received. (Any gifts beyond his travel costs will be used to support this regional gathering and the movement as a whole.)

This opportunity is something that will add tremendous value to our work on behalf of artists and the arts, and I am grateful the Continuum will be a part of it. Your donation will really help make that possible.

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—Ed Gonzalez

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“The artist’s central dogma was beauty, and beauty is protean.”

The painter Helen Frankenthaler died December 27, 2011, in Darien, Connecticut. Obituaries by The New York Times and The Washington Post construe Frankenthaler’s importance as the inventor of a “revolutionary” soak-stain technique in which poured paint unites with the canvas; a method which made possible the Color Field movement. Continue reading “The Hidden Legacy of Helen Frankenthaler” »

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The International Arts Movement (IAM) is an organization based in New York City; it was founded by the acclaimed artist Makoto Fujimura. IAM  is, according to its website, “a cultural movement dedicated to inspiring all people to engage their culture to create a more good and beautiful world.” Continue reading “The Continuum Is Now An Official IAM Affilate” »

Jim Allman Nominated for 2011 Pushcart Prize

Continuum Fellow, Jim Allman, was recently announced as a Pushcart Nominee by the Los Angeles Review for his poem published in Issue 10, titled “Corpus Delicti”. This is Jim’s second nomination for the prestigious Pushcart.

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