Jim Allman Nominated for 2011 Pushcart Prize

Continuum Fellow, Jim Allman, was recently announced as a Pushcart Nominee by the Los Angeles Review for his poem published in Issue 10, titled “Corpus Delicti”. This is Jim’s second nomination for the prestigious Pushcart.

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Theology of Fitness by Jim Allman

…there is a frequently recurring struggle for existence.
—Charles Darwin

A nursling’s so unlike living fossils
like rhinoceroses or elephants dressed up in grey granite
armor or crocodiles in cardigan gravel:
who’ve a record against extinction,
can take an honest-to-God punch,
and don’t have glass jaws—weak chins—glass
skin. Finds itself ill-equipped for this life of bare-knuckle boxing;
rather, in successive snivels is the nursling—suffering
Yahweh with tiny pleas in every whine and wail,
yearning for solace—the slough
of granite plaits from mastodons, throwaway
calluses to patch the porcelain of pummeled
calfskin—unfit for the world. Observe the newborn thinness
of its buttresses, the baby soft
of its skin. God knows its no frame for igneous,
and I suppose cherubs to model a more durable
material. But didn’t Darwin distrust immutable
things; observing the frequent struggle for existence, he preached
a vatic if not natural sanctification
ringing though with scripture: “made fit through suffering.”


First published April 06 in Splash of Red (2010)

{Italicized phrases taken from On the Origin of Species by Charles Darwin and/or the book of Hebrews.}

Antikythera Machine by Jim Allman

Count them: 32 gears turning an apparatus with the clockwork

of Archimedes,

as if arms and legs
weren’t first made of marrow
or the cut of spurs and teeth
engendered no withdraw.

Clank-clank—the epicyclicclank
of drive pin and fence,
wheel flies and drive cam spindling.

A locksmith listens intent on combinations—

a supplicant
drunkard

whose pints of gibberish
before the barkeep translate each genuflection
of elbow and forearm into an out-and-out addiction with alignment;

Summons with a bit of wrist torque,
then click-clack restages the moon:

Mercury, Saturn,
Venus, Jupiter, & Mars soon
track.

As above, so below.
Marks the ascendant
star as an artifact
of some luminary tattletale;

who recalls the Greek before
(not after) its salt bath as little more than axioms:

oracle minus cog,
anti-utilitarian,
foster-child of Silence and slow Time;

now with a portent more
like fluid—like fish shifting on an always deepening diurnal tide.


First published in the November issue of decomP (2010)

Jim Allman, Poet

Poet and co-founder of the Continuum, Jim Allman graduated with degrees in biology and business but sees life neither dissected nor austerely economized; he sees it as a surrealist’s painting full of wonder, beauty, symbol, meaning, perplexion and sometimes, even, ghastly visions. His poetry—the sparks caused when the ideal rubs against the real—is marked by transformation through questioning; he is, as William Wordsworth describes, deeply “affected more than other men by absent things as if they were present.”

Jim is a longtime Memphis resident and graduate of both Crichton College & The University of Memphis. He lustfully admires the poetry of T. S. Eliot, Gerard Manley Hopkins, John Milton, Mary Karr, B. H. Fairchild & Charles Wright.

He has read his poetry at various events around town, most notably with organ accompaniment by Juilliard trained musician, Roger Lowther. He was named a semi-finalist in the 2009 New Millennium Writings Contest, a winner in the National Poetry Month (2010) competition hosted by the International Arts Movement (IAM), and nominated for Puschcart Prizes in 2010 & 2011. His poetry has been published, or is forthcoming, in the following online and print journals:

Personal website: www.diatribalarts.wordpress.com
twitter: twitter.com/jallmanjr

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