Documentary: “PressPausePlay”

PressPausePlay from House of Radon on Vimeo.

A powerful movie asking important questions about the digitization and democratization of art.

The Art of “Sola Scriptura”

“Not a formless sublime exceeding and annihilating the beautiful, but an endless display of beauty, surpassing the beautiful as the ever more beautiful.”  – David Bentley Hart

Sola Scriptura permeates the portion of protestant faith I have grown up within. It is a term which tends toward an epistemology that raises the written word above everything else, after all John 1:1 tells us, “In the beginning was the Word, and the Word was with God, and the Word was God.” It is powerful, the word—both the spoken word that made everything that was made and the Word through whom life and light was given to “all mankind [as] the light [that] shines in the darkness” that cannot be overcome. But within that same tradition, the word is often eviscerated.

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The Johnny Cash Project

 

http://www.thejohnnycashproject.com

This is exactly the sort of thing that the Continuum was formed to encourage.  -truly a fantastic idea and opportunity for artists around the globe to participate.   To fully understand the concept, be sure to read the “about” page.

Simply BEAUTIFUL! “Mukteshwar” from Aradhna DVD Sau Guna

Electric Kulintang

An Environmental Experience: Electric Kulintang at The Atrium, Lincoln Center from Michal Shapiro on Vimeo.

Amon Tobin: Foley Room

The Music of Eternity

David Bentley Hart is quickly becoming my favorite theologian. Read what he says about Bruckner’s 9th symphony to understand why: Continue reading “The Music of Eternity” »

Kent Smith Official Site is live

Kent Smith’s official website is officially up and running.  Feel free to visit at http://www.kentsmith.net/

‘Lights’ by Interpol

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Transcendence in Music

John Hodges, one time conductor of the Germantown Orchestra and student of Leonard Bernstein, talks about transcendence: what it means and how one accomplishes it through the window of art and music.

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